Thứ Sáu, 22 tháng 7, 2016

Ashley S: Getting Ready For Bed – X-Art

Ashley S: Getting Ready For Bed won't be a big deal. Were just gonna do, let's change a couple things. And you're just getting to know him so lean in, lean nice and close in and just get to know this little guy. Yep, perfect, thanks. I'm gonna stand on your bed one more time. Taking photos I notice there's a little bit of light on erotic video coming up from the blinds. I made a quick adjustment and managed to move most of it. There's still a small piece I can work off in Teenxvid, but that's something I didn't want to compensate for losing that image. Ashley S Getting Ready For Bed Us solo erotic video, yeah, I'll just move my angle. So that's not a problem. I'll just know that that's on his chest. Okay, and then I'm gonna sneak out of the room a little bit and then you guys are just gonna talk like it's totally normal to hang out on your bed all dressed up with your baby, because it is, right? I also made sure to step back out of the room and used a little bit of the wall to look at my subjects. So it's like me peeking in on their little life, which I think is a neat aspect in composition as well. Once I had all the shots I wanted out of the bedroom, we ventured back into the family room so I could continue setting up the backdrop and the little studio portion of their lifestyle session. Checking your settings, as you switch locations, is also essential. I noticed when I was at the backdrop, that I needed to warm the temperature a little bit, so I adjusted by Kelvin accordingly. At this point, you also have to realize that the temperature of the baby is even more important than that. We had space heaters setup on both sides of the ottomans, and a heating pad was on its way just in case. Another safety note with heating pads, I do use them to warm up blankets, but anytime they are near a child, and they will be on, ensure that they are always turned off, no matter what. Even if they have diaper on, you never know. You don't want to mix electricity with newborns. Here we go. Got some great light. Working with newborns takes a lot of patience, and a lot of time. You can't rush them into a position, or expect them to fall asleep, and magically pose on a backdrop. What I tend to do, is soothe them into a comfortable position. If I'm trying to pose them, and they don't want that pose, or it feels awkward in any way, I definitely don't force anything. Ashley S Getting Ready For Bed Us back We might skip the whole stomach posing, and just turn them on their backs, as some babies are not comfortable in some positions. If the newborn does not want to get into any specific pose, you can still use that opportunity, and that gorgeous backdrop, to get a lot of up close beautiful shots of the baby. It became apparent that Teenxvid was not going to fall asleep, and as you know, babies without diapers tend to have accidents, so we decided to change our setup at that point, and move to more of a nested location on the floor.

Alexes: Deep Blue Passion

Because if your narrator is talking Alexes: Deep Blue Passion, this is where the name will go. The Parenthetical is just like it is in the screenplay. And again, please use erotic video. The Dialogue is what the actor says. The Slug/Video, here is the same style as the slug, but now we’re just using it to describe a shot. Also in this template is the Voice Over column, where I’ve added the term Narrator, to indicate who the narrator is, as well as the Voice Over. This simulates more of the two column script format where the video is on the left and the audio is on the right.
Alexes Deep Blue Passion
Makes a lot of people more comfortable to see all of the audio on the right. And more importantly, it visually separates it on the page so that it’s easy to see at a glance what’s on camera and what’s Voice Over. So in the next couple of movies, I will walk you through how to create this template using the screenplay templates that come in Word and in Pages.
Now I want to make sure my cursor is up here at the very beginning. Go in to the Tables tab, clicking on the erotic video. Come down here and we want two columns. We’ll go to eight rows because that’s all it will let us select. And here’s the beginning of our title page. Let’s go ahead and add a couple more rows because I want a total of ten rows. In here our first one will be title. Our second one will be code number.
This could also be a file number. The client. The client contact. The writer, this is where your name will go. Notice I put it above the producer, which might also be you. Then comes the director, which my also be you. The draft number goes in here next. I think it’s really important that the draft number be included on the title page, as well as the date. Now I don’t want these all centered. So I’m going to select all of the sales on the left hand side.
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Go to the Home tab, and left-justify them. Then I’m going to move the center column to the left a little bit, to open up all of this space here, where you can add names and contact information. So, that’s the new title page. Let’s move down to the screenplay itself and start changing some things. For the most part, what we want to change are styles. Styles are a feature in word processing applications like Word that let you establish a specific formatting for parts of the document. Specific Teenxvid like that.

Izzy: Submissive Seduction – X-Art

The Izzy: Submissive Seduction is where you zoom into a tighter shot or zoom out to a wider shot. We typically don’t indicate in the script these types of shots, but just in case you need to, I want you to have an understanding of them. The boom or dolly shot, also sometimes is called a truck shot. This is where the camera, tripod and everything physically moves from one place to erotic video. On a shoot, those places are referred to as marks. But all you need to know is that the camera is moving. Handheld is a legitimite camera move, but it’s hard to watch over an extended period of time, so please, use handheld videos sparingly.
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Now if you’re using the two column script, typically your video will be on the left and your audio will be on the right. The sources that you would use for your video, which would be on the left, would be original video that you shoot. If it’s not someone’s interview or a talking head narrator, we often call this b-roll and that’s just a throwback term to the earlier days of television. Another video source would be archive video, and this can be simply old film or old film that’s been transferred to video or even old photographs.
Graphics would be artwork that an artist has created for the video. And animation would be graphics that move, that has been created for the video. Talent is a source of video, and this can be either your on camera narrator or actors performing a scene. When it comes to those talent sources, we have the VO, which stands for voice over where we don’t see the narrator. As opposed to the Teenxvid, which is the voice on camera when we do see the narrator. And that’s different from erotic video.
The sound on tape is the sound bite that you get from an interview subject. And dialogue is simply those performances by actors. On the audio side of the script, you have your talent, providing the audio. You have natural sound which is abbreviated Teenxvid. That’s the sound that’s recorded with the video when it’s shot in the field. When you indicate music in the script, it’s typically prerecorded music. Probably from a music production library as opposed to live music which would be being performed for the camera.
Another audio source would be sounds effects, which is abbreviated SFX. If this is on the right hand side of the script,Teenxvid stands for sound effects. If it’s on the left hand side of the script, then it could stand for special effects. It can be confusing, so it’s real important to make sure that you’re clear in what you’re doing. The Graphics Sources that you’ll use, and these would appear on the video side of the script, would include full screen text, much like what we’re using here. Imported files, which would be created by an artist and brought in for the video.
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Or animation, which is basically little movies created by an artist that is brought in for the movie. And this can be an animated logo. The lower third super or key is one that we use an awful lot in script writing. And this is where we indicate that the person talking on camera gets their name seen on the screen. It’s called the lower third because it typically appears in the lower third portion of the picture. It’s often called the super, even though it’s technically a key. Super is short for superimposition, which is another throwback term to the earlier days of television.

Belle: Pretty Little Belle – X-Art

The Belle: Pretty Little Belle is your advice to the actor of how you think he or she should deliver the line. Actors generally don’t like being directed from the page by the writer, so please use the parenthetical sparingly. This is the dialogue. This shot description highlighted here, this is again using erotic video. For this template I’ve created another style for the narrator. I put this in all caps to separate from the voice over copy that the narrator says.
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This voice over is another style that’s in the template. And again, more about all of this when we get to the movie about writing the first draft. There are three basic shot types that you’ll use in your scripts. They’re the Long Shot, abbreviated by LS; the Medium Shot, abbreviated by MS; and the Close Up, abbreviated by CU. There’s no need for you to write out the whole words long shot, medium shot, close up. The abbreviations will work just fine. The long shot is a full body shot.
We see the feet. We see the head. A little bit of room above the head. A little bit of room below the feet. The full body. The Medium Shot is basically waist up, and the Close Up is basically head and shoulders. And this can be a tight head and shoulders, meaning that we just see the tips of the shoulders. We don’t go all the way down to the collar bone. There were variations on the shot types, the Extreme Long Shot and there’s no rhyme or reason as to how long that can be. It can be really long or just kind of long, but the extreme long shot gets the abbreviation either ELS or XLS, either one will work.
The Medium Long Shot sounds like it’s an oxymoron, but it’s not, it’s a little too wide to be a medium shot. It’s a little too tight to be a long shot, so we’ll call it an erotic video, a medium long shot. There are two variations on the close up; the Medium Close Up, which is a little bit looser than the regular close up. And then the other extreme would be the Extreme Close Up, where you’re showing a very tight part of a person’s body or a very tight part of a piece of equipment or something.
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The abbreviation gets ECU or XCU. Now we typically don’t indicate many camera moves in a script, but if you do, I want you to know what some of these are. The Teenxvid, is where the camera moves horizontally from side to side, the tripod remains stationary and just the camera itself moves horizontally side to side. As opposed to the tilt, where it’s the same stationary position, but now the camera is moving up and down in a vertical manner.

Adriana: Move with Me – X-Art

In the Adriana: Move with Me, this is where we bring in all of our raw media All of the takes that we shot, even the ones that we don’t think we’re going to use. There may be something good in there that we can find. And even on the takes that we know we’re going to use, we want to bring in the excess footage that are called handles. These are the few seconds before and after the good part of the take that give the editor something to work with. It will be trimmed later and we won’t see this. Much like in the framing process when they bring all of the lumber to the job site, more than they think they’re going to need, and then they build the frame from that big pile of two by fours or whatever they’re using for framing.
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There’s no attempt to be pretty at this stage of the home-building process because they know that everything will beerotic video up later. The editing process is much like the finishing process. In the editing process we’re now making our edit decisions. This is where we’re selecting the exact in and out point that we want each shot to have. We finesse it on the timeline to make everything pretty. Much like in the home building process, this is now where everything in that home that was just a frame now starts to take shape and it is made pretty.
Then, the exporting I equate to the staging of the home, the exporting is where you’re getting the video ready to show and you may have to export different versions for different venues. You have a web version, you have a erotic videoversion, you have a broadcast version. The staging of the home is where you’re getting it ready to show to all of the potential buyers. And then the last stage in the video is distributing. Whether it’s put on the web, put on a disc, put on TV, the video is now viewed.
Much like the home has now been sold and it becomes occupied. It’s a rough analogy, I know, but the important thing is that the finished video started with a script. Yes, there will be bumps in the road and problems to solve, both in the shooting and in the editing. But by having a script, you’ll always have something to refer you to the original intent.
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This is used in screen play, and we use it in the video script as well, to just describe what the action is that’s going on in front of the camera. The Teenxvid is the name of the person who’s speaking in this scene, followed by the dialogue that he or she is saying. In this style that I’ve created for your template, I’ve added the Teenxvid because this could also be your on-camera narrator. A screen play term that we continue to use in the video script is called the parenthetical. This term here is a screen play term that is also used in the video script.

Ashley S & Sammy: Go Fish – X-Art

There you go, like Ashley S & Sammy: Go Fish. I love it. And, he’s just like, staring out. Awesome. All right, so let’s just do a big family hug, so I’m gonna have you come around this side, Stephen, right here, and you’re just gonna give her a big hug, and this is just gonna be like, oh my gosh, we just did our first newborn shoot, I’m so excited to be done, and we have our little boy. erotic video, and then look at each other. Say, I love you. Yeah, give a smooch, come on you can do it. All right, and then one more big one at me.
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Even if you think you wrapped up your shoot, don’t put your camera down just yet, you might just get one more shot at the end. You guys are the best, and you’re done, yeah. Do you like how I never stop shooting? And, we’re done. I’m very excited about how this shoot went today. With this family, and with Teenxvid. There are so many great shots I can’t wait to share with this family, and with you.
Put your hand in mine, I will lead you the way, or take it from me. And then, the third mode of persuasion is pathos, the emotional approach. This appeals to viewers’ passions, feelings, their raw emotions. This is also the root of the word pathetic. You may not need it, but you know you want it. We hear this time and again because Pathos is the mode of persuasion that is used most often in advertising.
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I need a car but I wan’t that luxury model. I need shoes but I really want those high dollar sneakers. Another line that you would hear is, follow your heart. Teenxvid the best. Once you understand these three basic modes of persuasion, you can use them to craft the message in your video script. And feel free to use them in combination. Most informational videos will need a little of each one to achive its goal.

Lisa & The Red Fox: It’s a Fine Line – X-Art

By Lisa & The Red Fox: It’s a Fine Line, you created a whole island for that little baby to float on, and you look so snugly right in the middle of it. And, this is something you can use if you don’t have a lens that allows you to back up enough, if you’re working with a 50, right now I’m working with a 35, but 24 to 70 would be great in this setup, but I can easily clone in post-production, the blanket, because it’s a knit fabric, it’s not anything that I would worry about the day of, or step on a ladder above a baby to do, so this is a nice safe way to do it, where you can just change the edges of your photo Teenxvid.
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Yep, we’re gonna pull it down. We do that to tuck his blanket a couple times, and so as a photographer, keep in mind, any distractions in your way, it’s better to move them in advance. Aw, he has a big yawn, look at him. You can check out Teenxvid, look at him, give him some smiles. By using a prime lens, you are the one that has to move. You can’t zoom in, so I tend to move in and out, just to get different angles on jobs, different depths of field, and I’ll even stand on stairs, and things of that sort. So, use your surroundings wisely, and make sure to get creative with what you have to work with.
I thought I was almost done shooting, and as I was walking away, I saw one little pocket of light that looked a little bit fun to me. So, I asked Jen to step over to the pillar, and once I grabbed that shot that I wanted, I couldn’t let Stephen stand out too. So, I had to have him come in and grab a great family shot of them at the end. You can leave him in that side, and you can just stand right here. So, I’m gonna pretend I’m you, just like this. – Okay. – And then, Stephen will be on this side, so face me, erotic video – How are you? And then you’re gonna tip him down again, as long as he’s safe.
Yep, just like that. Okay? We wanna keep this nice fluffy blanket, and then just mind your shirt, cause it’s a little, yep, if you get too close his head will get lost in it. Great, and then you can lean in. Yep, lean in. Hi, tree. All right, I’m gonna have you lean in a little bit closer with your other arm too. More just your arms than your body. Perfect. And then, why don’t you both look down at him. Let me just double check on my, yeah it’s a lot brighter out here than it was in there. Just make a quick adjustment to erotic video.
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Make sure that I have that right, and I’m gonna back up even more, just cause it’s kinda neat to include a little of this greenery in there. Which, I will probably have to, perfect. You’re looking at him, and then I’m gonna have you turn and look at me. And then, lean in again with your head, so he’s sort of like the center of you. Foreheads touching, and I’m gonna move your hair, and keep him out a little bit away from you, just a tiny bit so I can see you. All right. I’ll be back in the trees. (laughs) And then, you’re gonna just look down at him with your foreheads touching.